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1st: why doesnt portars spawn after reaching my 90% stages? i am 68k stage, after 2nd prestige in tournament i got portars spawned until 62k(took me 2 hours) after that, no portar till 66k and lost the tourney, i had tons of relic so i could push to 70k ez (8%portar chance) smells fishy, it kinds lets pay users win/or makes others pay for chests/etc. casino fishy style.

1. How comes players push 2-3k stages in less than 5minutes? I see their top ms e.g 70k top stage, last online 1hour ago with 70k top prestige and in the last 5 minutes of tourney i checked and see 73k stage with 2 minutes ago online. like, wtf!? he pushed his top prestige in like 50 min? It’s either marketing bots, either cheaters. I find it impossible to push so fast past your top stage even if you have max damage, it takes 10 min for each 100 stagesx

As in : What was your moment when you noticed "Hey, this could really be awesome as a full-fledged hobby, this is something that I can have a lasting interest in ?
My main Hobbys are primary Movies, Film & Cinema, as well as Manga & Anime.
Fair Disclaimer : This is going to be way to long, I don't really expect anyone to read through all of it. More than anything I wrote that for myself, I just felt an itch that I needed to type that all out for once.
For me it was when I first watched Raiders of the Lost Ark (1981) and Die Hard (1988). I had watched them both within the same week for the first time.
But before I can talk about that, I have to go back a little further.
Up to this point I had only watched Disney Cartoons (Mickey Mouse, Donald Duck, Goofy), Disney Movies (pretty much ALL the animated Disney classics + some Pixar, I guess). Parallel to watching a lot of Disney stuff, I also read many many Disney Comics starring Mickey Mouse, Donald Duck, Goofy, Pluto and Many More (Here in Germany Disney Comics are pretty famous and well known).
And I watched A LOT of Anime (Shonen). And I mean a lot. My biggest Anime fandoms where no doubt Pokemon, Digimon, Dragon Ball, One Piece, Yu-Gi-Oh, Detective Conan and Inu Yasha. Of all these Animes, I had also read the Mangas. Later on, when I started to read more manga (including reading rough scanlations online) and watching anime subbed online, I got into Naruto, Shaman King, Hunter X Hunter, Bleach and Death Note. AND - what's important - even before I watched real movies I was pretty damn big on CLAMP X/1999, Cowboy Bebop, Hellsing, Gantz, Trigun and a couple more I don't recall (Speed Grapher, Trinity Blood ?) ... So more mature stuff was not unheard of to teenage me.
I also was a huge Nintendo Fan : Super Mario, Yoshi, Donkey Kong, Mario Kart, The Legend of Zelda, Metroid, Star Fox, Pokemon, Kirby, F-Zero, Super Smash Bros. - you name it, but this is a whole different story altogether. I only ever owned Nintendo videogame hardware though and I exclusively played major Nintendo IP's. Never had a PlayStation, never wanted one. Yeah, I guess you can say I had picked my side.
Anyway, back to films :
The only live action films I had watched up to that point were superhero comicbook adaptations (DC Comics & Marvel Comics). I still watch those to this day, and I like them well enough, but I always knew and always felt that thes were just adaptations of a much bigger comic-universe and that there was verd little intrinsicly cinematic about then. Of course, with the advent of the Jaggernaut that is the MCU that has changed to a certain degree.
It's kinda hard to say why I was so wild for the Donner / Reeves Superman films, the Burton / Keaton Batman films, and yes, also the Schoemaker films (I know, I know ...) or the Raimi / Maguire Spider-Man films ... I don't exactly know why. Funnily enough I never really got into the DC Comics and Marvel Comics, which are the source material to these films. And neither did I ever really get into their cartoon adaptations. I am not sure why, wrong place, wrong time I guess. Plus I was effectively preoccupied with Anime.
Anyway, I suppose I was daunted by the sheer amount of material. I was always a kid who liked order and oversight in and over his collection and hobby. I didn't understand the publication history, multiple concurrently running series featuring the same hero, story arcs being spread out over up to 4 or 5 series, crossover events with other heroes, never knowing which crossovers are actually important. Add to that the fact that each issue in germany combined like 2 or 3 us-american issues, sometimes combining issues of different series into one german issue running under the brand of the main hero it featured, which made it all even more confusing. I tried to get into american superhero comics multiple times, bought quite a few issues and even read a couple of stories I really liked. But it just never clicked.
Then there are of course collected editions if story arcs or certains character runs by singular authors and artists (called graphic novels), but then there are also One-Off Standalone / Spin-Off / Elseworld stories and graphic novels. And last but not least, there are these company wide major mega crossover events that tend to reset large chunks of the universes and characters continuity. Supposedly in order to create new entry points for new readers, but I don't know ... To me, that made it even more confusing. Besides, I like to get a full story of a character I like. I don't want to be told basically "yeah, you know kid, basically 80% of what we have published until now doesen't count anymore lol".
With manga you have a clear beginning, one series, weekly or monthly chapters, collected volumes (tankobons) and once it's finished a clear ending. Sure it can be long as hell (in the case of One Piece over 90 volumes already), but at least when you read or watch it all you have a complete story. I guess I just always preferred that. Maybe that's why I liked the early Comicbook film adaptations of DC Comics and Marvel Comics : As a way of simplification.
Now, there was a time when I only watched DC and Marvel adaptions out of principle, even though even back then I already knew that some of them where pretty fucking bad. I had a weird obsession with Batman Returns though, which I still have to this day. Probably has something to do with the fact that I was like 10 when I first watched it and really, really liked Michelle Pfeiffers Catwoman, if you know what I mean.
But then my interest in - for lack of a better term - "real" Films started to rear it's head. Films that where originally cinematic.
I had a phase where I was pretty obsessed with the Die Hard and Indiana Jones movies. They proved to be pretty damn good gateway blockbusters. Indiana Jones functioned as a gateway to Star Wars and that whole universe George Lucas had created. By the way : Yes, I watched Indiana Jones before Star Wars. The Indiana Jones films also served as a gateway to ALL the other Steven Spielberg films (the serious ones as well). I was shocked how many movies I had heard of but never cared for were actually Spielberg movies. The unbelievable range from "Jaws" to "Schindlers List" or from "E.T. theExtra-Terrestrial" to "Amistad" or "Minority Report" first made me realize how important the DIRECTOR is.
After that I had a phase where I wanted to be cool and prove to myself I am hardcore enough to watch A LOT of Horror. My idea of Horror though, back then at least, was limited to 90% slasher. So I obsessed over Halloween, Friday the 13th, Nightmare on Elm Street, Scream, The Texas Chainsaw Massacre, The Hills Have Eyes and pretty much all of Romeros Living Dead (Zombie) films. It was arround that time that first torture porn wave swept over the Horror landscape and I was pretty proud of myself watching Saw and Hostel and talking about them at school, even though I remember HATING them.
During the same time there was the Fantasy craze of the 00's and I got pretty involved with the Harry Potter and the The Lord of the Rings movies as well, but that always remained a secondary interest. I never read any of the books of either series, I have admit to ny great shame. It just wasen't the right time for me to read young fantasy or high fantasy novels. Even though I did like to read as a child and youngster. But when Harry Potter and The Lord of the Rings were all the rage I just was preoccupied with different interests, so it kinda fell through the cracks. I do however remember that I liked those films of Harry Potter that I had seen and most certainly all of the The Lord of the Rings films a great deal.
Anyway, after the Spielberg well ran dry I took advice from my friend who was a couple of years older than me. He was like you like Die Hard, well good for you since there's a whole world of 80s balls to the walls action flicks out there. Thusly, the door to Schwarznegger and James Cameron opened.
I probably don't have to tell you that The Terminator movies where my highlight (as well as Predator, which I was pleasantly surprised to learn had the same director as the first Die Hard). After I had seen Aliens, which I loved, I was shocked to find out it was a sequel. So I went back to the first. And so I discovered Ridley Scott. Funnily enough by means of arguably his worst film Alien 3 I learned about David Fincher, who remains one of my favourite director to this day. David Finchers two best works, by the way, are Zodiac and The Social Network, and not - albeit great - Seven and Fight Club, as many would have you believe. That is a fact and nobody will ever convince me otherwise.
Ridley Scott led to me discovering Blade Runner (the Final Cut on my first watch, thankfully) which, for some time, I was convinced was the final word in cinematic quality. I also developed an almost unhealthy obsession with the hard-boiled Michael Douglas starrer Black Rain. I guess it spoke to me because it was set in Japan and I was such a big anime fan.
Parallel to all this, roughly arround the time I started watching Cameron flicks, I also got balls deep into Quentin Tarantino. I remember I felt so smart and accomplished for having "discovered" Tarantino, I felt like a connoisseur of fine wine haha. What did I know he was mainstream. Well he wasn't for ME at the time. Needless to say, I loved all his films, even the slower paced Jackie Brown. Didn't like Death Proof so much, which was his newest release at the time. Naturally Tarantino led me to Robert Rodriguez, whose films I NEVER liked. Not even the ones generally considered good (From Dusk till Dawn, Sin City). For me he always felt like a pretentious poor mans Tarantino. Anyway, Quentin Tarantinos films taught me, for the very first time just how important a screenwriter and a good screenplay are.
After discovering hard SciFi with Ridley Scott and Christopher Nolan's The Prestige (who of course was on my radar because of Batman Begins and nothing else lol), I finally felt smart enough to tackle Stanley Kubrick who, as I had heard and read on multiple occasions, was supposed to be the best director of all time, or at least one of the very best. So I bought a BluRay set containing all of his films from Lolita all the way to Eyes Wide Shut. And while I am sure HE IS one of the best directors of all time ... for me ... NOPE. His aesthetics, his way of telling a story , everything ... simply not for me. Stanley Kubrick's kino and I would not become friends. Not gonna lie, that made me a little sad back in 2008 / 2009 I think, because I really wanted to like his work. I felt like I was supposed to.
But then I caught - totally by chance - Martin Scorseses Casino (1995) by aimlessly flipping through TV channels at night. It was the last 20 minutes of all things. I think I didn't skip to the next channel because I thought the verbal house fight between DeNiro and Sharon Stone was hilarious (Note : The only thing I knew Robert DeNiro from at this time was Jackie Brown).
Anyway, then came the montage of the whacking with House of the Rising Sun which culminated in the now infamous cornfield murder. It was so raw and brutal. There was no music. There was no style or choreography to the beating. It wasn't "cool". There was no heroic escape nor was there a daring hero swooping in to save the day (note that at this point I didn't know that the Joe Persci character was a despicable gangster in his own right). All of it ... it just felt like I was watching a real mafia killing. And I ... WAS ... HOOKED. I rented Casino the next day and watched the whole thing. Talked about it with the guy from the video store. So he gave my GoodFellas. Mean Streets. The Departed. Raging Bull. The Aviator. Taxi Driver. The King of Comedy. After Hours. Scorsese Scorsese Scorsese.
Now I gotta say I was never big on the crime genre, neither in movies nor television. So I probably would have never actively looked out for this movie. But I found it. And that's that.
While Spielberg made me love movies as a medium, Scorsese and DeNiro made me love the craft of actually directing a movie and the art of acting.
DeNiros filmography led me to the films of Francis Ford Coppola and Sergio Leone. And with these movies I realised why I didn't like Kubrick. While Kubrick was cold and sterile, albeit highly intelligent, Coppolas and Leones movies where more character driven, driven by plot, story and acting performances ... and in general simply "warmer", if that makes any sense. They just felt like their was more blood and life and passion to them, compared to all of Kubricks work.
I first got into The Godfather movies and The Dollars trilogy of course, but over time I came to appreciate, in some cases even love, the smaller, quirkier, more unknown movies of these directiors like The Conversation (a film that taught me the value and importance of sound-mixing), Rumble Fish (my first glance into surrealism / expressionism) or Duck, You Sucker ! which was the first movie that I watched that got a message through to me about genuine class struggle and the futility of revolutions though history. Apocalypse Now made me realize and think about for the first time in my life what philosophy is all about. Once Upon a Time in the West made me understand why people like the opera. Something I never understood prior to watching this movie. When I was watching Once Upon a Time in the West for the third or fourth time it finally struck me, that, by all means, I was watching (and enjoying !) what was essentially an opera on film. And finally, Once Upon a Time in America, which I first saw at the age of 24 or 25, for the first time in my life made me think about topics such as true lasting friendships, the passing of time, missed opportunities, my own inevitable mortality, one-sided love and bitter regrets.
And so films, my primary hobby as of today, HAVE definitely had a big influence on how I look at the world, who I am and how I think about certain things. And for that, I will be forever grateful.

I want help making a revised Godhand jump. This is My first jump design attempt
Unfortunately not a fighting game aficionado or martial artist. Or mma fan. I have some ideas already. Particularly rewards allowing chain discounts or benefits based on self imposed challenges or gains. Like maybe a kick me God hand run? maxes your body mod.
Anyway could use beta or pointers or just advice what another video game brawler besides generic stick fighters jump could do. How fit in meta or best model benefits of game or extend it to be viable for ten damn years?
Considerations/aims/inspiration
I would probably want to make it so that you could be a God Hander or a hero or drop in and even the demon but the way everything is priced and spread out you can't seem to imitate Gene at all because everything's so expensive and spread out between two different lines forcing you to get drawbacks and very strong restriction.
Lightbulb moment To be fair though I imagine there's a very easy hack to this jump seeing as almost everyone in God Hand fights with fists or melee and coming in with gun and sufficient ammunition or just a vehicle basically makes the level die a Breeze. there's no restriction after all for you coming in even from a previous jump with just scavenged let alone perk granted weaponry./lightbulb moment.
Still want to preserve or make plain what benefits and gains of perks like dodge cancelling from original versipn jump or game. Also more spelled out aloud charting for godhand's growth. after all it seems as if you don't buy certain items on the import document you can't gain certain benefits that you get throughout the game. Such as increase health, roulette orbs, new moves and of course the second God hand when you defeat Azazel and defeat angra.
So far
God hand my version beta
Perks Gamboling gambler- basically this s*** lets you into any place where people bet or Run games. No matter where from or anyting else you are acceptted and the house they running a pretty fair or generous (for you) game. you don't have to be a high roller to get to high stakes tables and nobody will kick you out or censor you unless you're physically violent.
Gg 2 - this means something so that you're really good at gambling/game theory, working the odds, understanding everybody, and reading the room/rules very quickly with just experience or study including the odds of machines or tablez, the rules of any game that sort of thing
Looking at At least 3 Rewards.
1 reward will make it so that the benefit of being a fighter gives you discounts for perks related to martial arts powered fighting or Athletics or body stuff in the future. this increases with each God arm that you have. (Half off. Then half off. then half off) this means you can earn at least three by out and out purchase one and then getting both from Gene and then Azazel. Yeah none of this can only purchase bullshit ruins major motive and part of game.
You can literally add the additional arm onto your body or change your leg into a equally dextrous like gorilla leg foot arm thing.
A maxed out Body Mod
A being the God hand makes me worthy secondary effect...attached to first discounting reward or a perk? People/society may not respect you but universe does. Hence discount and you qualify for any innate trait screening effects (pure of heart, virgin, true warrior, mjolnir) of prestige or worth or protection (fairy law, ward/attack against outsiders) because you are the God hand baby.
Rewards that Grant items or effects that are available in perks or for purchase refund the Choice points if purchased.
The ultimate will be "it's better than a bank".
The basic idea is that it will allow for my idea where you may bank Choice points and get cumulative discounts on previous jumps purchasables as progress on chains by jump that you can only purchase between jumps on something that happened prior.
[Five jumps in while between six and fifth jump
may purchase at half off with any remaining cp perks/items in fifth.
3/4ths off of the fourth jump.
7/8ths the third jump.
15/16ths the second
And finally 1st jump perks at 1/32nd their price.]
If you get two additional rewards to IBTAB
In your Warehouse there will be two gaming machines one to take you to a Gambling Hall the other to the fighting Hall resembling the places in the game. Starts having same machines games and challenges.
The Gambling Hall allows all games of skill / chance that allow for earning/betting that you witness or ask hall to integrate from worlds been part of but once in it doesn't go away. (Ooc Play some free equivalent online or electronic poker or vegas solitaire or whatever use those as your results) You can even summon Companions or any individuals known of to a table machine or floor (or equivalent). this can be against their will but they can leave out door no time passed nor have to participate. there will be a editting effect like with the bar from Anarchy Reigns jump aside from the fact they can spend earnings on body mod/injumpperk/supplement list.
Their currency will be accepted or you can give your currency out your pocket or account or your game points.
Fighting hall: any competitions allowed and can be added to list. Whatever event added will be stocked and staffed by npcs or chosen folks from current jump or contract signers from prior ones.
It has same rewards, freedom, and exit effect but exiters will remember how fought and learned skills and their training stays. damage doesn't linger save as cautious insightful vision understanding or nightmare no more harmful than already endure.
Divide by 10 your earnings and that translates to Choice points that you/ winner can withdraw and use for Body Mods or Warehouse or similar supplements at anytime or the special rates discussed above ONLY BETWEEN JUMPS
in Jumps from now on any money you earn from prize purses or gambling at the moment you collect or receive your reward you'll get the option there by presenter, or a convenient call, or additional special jumpers club form to convert portion of reward at the ÷10 factor for Choice points. Or 100 x that for game points.
The addition will also track your actions and award Game points (1:1 ingame currency rates for casino) for feats equilavent in world that jump is based ons common but not monetary scoring system Fr'ex actions that provide score in mario games, get game points on the machines in mario jumps would be counted before/instead of coins but coins would be counted if only thing counted in that jumps inspiration. in chrono trigger this would be exp before tech points which being scarcer are counted at 5x but not the barter items or gp, Mario and Luigi jump would count xp and no coins. alternatively adds gamepoints for wins at other games or scored events earned in jump as rewarded by officials/ranking translated to equivalent base.
Game points directly usuable and held only in those machines/halls
Once you've converted Choice points to money or game points
or
converted money to Choice Points or Game Points you can't undo it or transfers another.
Game Points can only directly be used to play games / bet in the halls to earn rewards in (chosen before begin play) cp, game points, or local currency [I need a conversion rate for God hand currency to accepted universal standard like gp in d&d U$D or pokedollars] . Remember jumper can only spend cp on full jump perk lists after one jump with banked co but Before choose another (this gain that list options and discounts or additional cp)
One exception jump specific Sub Point systems, such as sometimes used to create powers or ships or vehicles. can do this during selection or injump or right before importing These can be gambled with and supplemented with gamerpoints but you can only withdraw in Sub Point value what you end a full game that has come to it's conclusion and what it would let you take. There's no depositing your Sub Points combining with Game Points and then withdraw the mass. you have to play, risk, complete, and take winnings.
Eta now have a commendable Google doc God Hand reddit/sb
This is the 4/26 update and could still use the commentary and help, am I taking your advice into account? I dropped a whole origin. More frustration and tiredness plus feel covered by Infernal Ally

Some of these are samples, some are decants, and there are a few full bottles at the bottom of the list. Most prices are at least 50% less of what you'll find online.
The decants that are partly used have been conservatively estimated, so if you get a 2mL, it might actually be 2.5mL, for example. Not all of these are tiny vials that can be sent in a paper envelope.
Continental US only. PayPal only. $4 for shipping, but if you buy $10 or more, the shipping is on me. Check my history; I've done transactions on this sub before. I'll send you a pic of your order before payment.
PM me and we'll get it rolling.
masculine/unisex samples/decants

• $3.00 - 1.5mL - Acqua di Parma Colonia Mirra (spray)
• $3.00 - 1mL - Acqua di Parma Ginepro di Sardegna (sprayer)
• $1.50 - 1mL - Aramis 900 Herbal (vial)
• $2.00 - 2mL - Aramis JHL (sprayer)
• $1.50 - 1mL - Aramis Perfume Calligraphy Rose (vial)
• $2.00 - 2mL - Aramis Tuscany Per Uomo (sprayer)
• $1.50 - 1mL - Azzaro Chrome Legend (vial)
• $2.00 - 1mL - Baldessarini Nautic Spirit (sprayer)
• $2.00 - 1.5mL - Bond No. 9 West Side (sprayer)
• $3.00 - 2mL - Boucheron Jaipur Homme (sprayer)
• $2.00 - 1.5mL - Boucheron Iris de Syracuse (sprayer)
• $5.50 - 1.5mL - Bulgari Le Gemme Onekh (3) (sprayer)
• $3.00 - 1mL - Byredo Pulp (vial)
• $1.00 - 1.5mL - Cartier Declaration d'Un Soir (sprayer)
• $2.00 - 1.5mL - Cartier Eau de Cartier Essence d'Orange (sprayer)
• $2.50 - 1mL - Costume National Homme (vial)
• $2.00 - 5mL - Demeter Banana Flambee (sprayer)
• $2.00 - 5mL - Demeter Cuba (sprayer)
• $5.00 - 10mL - Demeter Iced Berry perfume oil (rollerball)
• $2.00 - 5mL - Demeter Mr. Bubble (sprayer)
• $2.00 - 5mL - Demeter Orange Blossom (sprayer)
• $2.00 - 5mL - Demeter Orange Cream Pop (sprayer)
• $2.00 - 5mL - Demeter Whiskey Tobacco (sprayer)
• $4.00 - 1mL - Dior Fahrenheit Parfum (vial)
• $4.00 - 3mL - Dua Black Widow (sprayer)
• $3.50 - 3mL - Dua Caribbean Waters (sprayer)
• $4.00 - 3mL - Dua Casino Royale (sprayer)
• $4.00 - 3mL - Dua Midnight with the Mobster (sprayer)
• $2.00 - 1mL - Dunhill Icon (vial)
• $2.00 - 1mL - Dunhill Icon Absolute (vial)
• $2.00 - 2mL - Ed Hardy Love & Luck (sprayer)
• $4.00 - 2mL - Escentric Molecules Escentric 03 (sprayer)
• $4.00 - 2mL - Escentric Molecules Escentric 02 (sprayer)
• $1.00 - .7mL - Escentric Molecules Molecule 03 (sprayer)
• $4.00 - 10mL - Ferrari Noble Fig (mini bottle dabber)
• $2.50 - 1.5mL - Guerlain Homme L'Eau Boisee (sprayer)
• $1.00 - 1.5mL - Guess Seude (vial)
• $3.00 - 3mL - Halston 1-12 (vial)
• $4.00 - 2mL - Halston Z-14 [vintage] (sprayer)
• $2.00 - .7mL - Houbigant Cologne Intense (vial)
• $1.00 - 1.5mL - Hugo Boss Bottled Intense (vial)
• $4.00 - 1mL - Imaginary Authors Cape Heartache (vial)
• $3.00 - 4mL - Jimmy Choo Man (vial)
• $1.00 - 1.5mL - John Varvatos Dark Rebel (sprayer)
• $2.00 - 1mL - Lacoste L.12.12 Rouge (vial)
• $1.00 - 1mL - Lalique Encre Noir (vial)
• $2.00 - 1.5mL - Lalique White (sprayer)
• $4.00 - 2mL - Michael Kors Michael For Men [Vintage] (sprayer)
• $2.50 - 1mL - Montale Chocolate Greedy (vial)
• $1.00 - 1mL - Paco Rabanne Black XS (sprayer)
• $2.00 - 1mL - Paco Rabanne One Million Cologne (sprayer)
• $2.50 - 1.5mL - Paco Rabanne Pure XS (sprayer)
• $1.00 - 1mL - Rihanna Rogue Man (vial)
• $2.50 - 1mL - Serge Lutens Arabie (vial)
• $5.00 - 2mL - Tom Ford Black Orchid EDP (sprayer)
• $1.00 - 1mL - Versace Dylan Blue (sprayer)
• $5.00 - 2mL - Yves Saint Laurent Jazz Prestige (sprayer)
• $2.00 - 1mL - Zoologist Camel (vial)

feminine samples/decants

• $5.00 - 3mL - Aerin Lauder Waterlily Sun (sprayer)
• $5.00 - 3mL - Bond No. 9 Nuits de Noho (sprayer)
• $4.00 - 2mL - Bulgari Goldea (spayer)
• $5.00 - 2mL - Elizabeth and James Nirvana White (sprayer)
• $2.00 - 1mL - Guerlain Aqua Allegoria Pamplelune (vial)
• $5.00 - 2mL - Tom Ford Black Orchid EDP (sprayer)

whole bottles, full or 90%+ full

• $5.00 - 90mL - Cuba Prestige Gold (bottle with box)
• $9.00 - 100mL - Biografia Natura, for men (bottle with box)
• $15.00 - 40mL - Lacoste L.12.12 Jaune/Yellow (bottle with box)
• $10.00 - 30mL - Lacoste Live! (bottle with box)
• $5.00 - 100mL - Michael Jorden Men EdC (bottle with box)
• $70.00 - 100mL - Mugler Pure Coffee (bottle with box)
• $70.00 - 100mL - Mugler Pure Wood (bottle with box)
• $5.00 - 100mL - Tommy Bahama Compass, for men (bottle)